Packaging

Medley of several packagings

Packaging is where brand identity becomes tangible. Each project here started with the same question: how do you make someone pick up a box, a bottle, a product, and immediately understand who it's for and what it stands for? From healthcare to wine, these are designs built to be held.

Proxysantรฉ

Healthcare in a Box
Proxysantรฉ is a French association of optometrists who travel to local communities to offer eye examinations and screening for conditions such as cataracts, glaucoma, macular degeneration and bringing specialist care closer to people who need it.
The packaging brief was clear: one box, one complete identity. Working within the association's signature azure and light blue palette, I designed a glasses box that also communicates Proxysantรฉ's full range of services : audiology, osteopathy, and podiatry, alongside all essential contact information.
The result is a box that works as both protective packaging and a portable brand ambassador, ensuring patients leave with something that reminds them of the care they received and the services available to them.
My sticks

tanding Out on the Shelf
The brief was straightforward: two chocolate-coated biscuit sticks, one milk chocolate, one dark, and a crowded snack aisle to compete with. The real challenge was finding a visual concept strong enough to cut through.
The answer came from pop art. Inspired by Roy Lichtenstein's bold graphic language, dot screens, star bursts, comic book energy, I built a packaging universe that feels playful, confident, and impossible to ignore. Blue for milk chocolate, red for dark: two distinct personalities sharing the same visual DNA.
The hero of each box is the chocolate itself illustrated mid-splash, dramatic and appetite-driven, as if the biscuits are too good to stay still. A design that doesn't just contain the product. It performs it.
Tej Genet

The drink of kings
Tej is an ancient Ethiopian honey wine, 100% natural, with roots stretching back to the time of the Queen of Sheba legend has it she offered it as a gift to King Solomon. Tej Genet wanted a label that honoured that story.
The brief called for tradition, prestige, and gold. I designed a label built around a black background and gold detailing a classic combination that immediately signals rarity and heritage. Two crowned golden lions anchor the composition, a nod to Ethiopian royal symbolism, framing the bold TEJ lettering with the weight it deserves.
Every typographic choice reinforces the narrative: "The Drink of Kings", "Traditional Ancient Culture", "Gift to King Solomon from Queen of Sheba", the label doesn't just identify the product, it tells its story at a glance.
A bottle you don't just drink. You discover.
L'assiette

A Wine That Tells a Story
L'Assiette is a restaurant perched at the Mitzpe Ramon crater observatory, overlooking the Negev desert. For their house wines, the brief called for something far from luxury codes, wines meant to be shared at the table, not admired from a distance.
For the white wine, a blend of Viognier, Chardonnay, and Sauvignon Blanc, the client named it "Vin de Soif de la Terre Promise" a nod to the French tradition of "vin de soif," the easy-drinking table wine once shared among workers and friends alike, here reinterpreted for the Promised Land. My job was to bring that story to life visually.
For the red a blend of Cabernet, Petite Syrah, Merlot, and Carignan I flipped the colour pattern: red dots on green instead of green on red. Same playful, table-wine spirit, but enough contrast to tell the two bottles apart at a glance.
The design follows the same spirit throughout. A handwritten typography mix gives both labels a personal, unpretentious feel, while the polka-dot pattern echoes a classic bistro tablecloth, a visual cue that says: this wine is meant for good company, not special occasions only.




A Wine That Tells a Story
L'Assiette is a restaurant perched at the Mitzpe Ramon crater observatory, overlooking the Negev desert. For their house wines, the brief called for something far from luxury codes, wines meant to be shared at the table, not admired from a distance.
For the white wine, a blend of Viognier, Chardonnay, and Sauvignon Blanc, the client named it "Vin de Soif de la Terre Promise" a nod to the French tradition of "vin de soif," the easy-drinking table wine once shared among workers and friends alike, here reinterpreted for the Promised Land. My job was to bring that story to life visually.
For the red a blend of Cabernet, Petite Syrah, Merlot, and Carignan I flipped the colour pattern: red dots on green instead of green on red. Same playful, table-wine spirit, but enough contrast to tell the two bottles apart at a glance.
The design follows the same spirit throughout. A handwritten typography mix gives both labels a personal, unpretentious feel, while the polka-dot pattern echoes a classic bistro tablecloth, a visual cue that says: this wine is meant for good company, not special occasions only.